Saturday, April 13, 2019

SmartMusic...Is It Really Smart??



            What exactly makes SmartMusic so smart? SmartMusic is an online program designed for music teachers and music students. The mission of SmartMusic really spells out exactly what the program is all about in an easy-to-understand way.

Let’s take a look at the features and benefits that make SmartMusic such a smart way to teach and learn music on a daily basis, for instrumental students, vocal students, general music students, and music teachers. We will investigate the costs of the program, discuss the challenges and reasons why not to use SmartMusic, and determine if SmartMusic really is a smart technological addition to the music education world.
            There are many benefits in SmartMusic for instrumental musicians. There are features that are relevant to the classroom as well as features to support individual practice sessions. Within the classroom, teachers have access to a rhythm of the day feature, which allows the teacher to show a rhythm on the Smart Board and have students clap, tap, or otherwise perform that rhythm. The rhythms can also be created by the teacher to address rhythms found in the literature they are using within the ensemble. Warm-up exercises are another useful feature in SmartMusic. The teacher can choose from prepared exercises such as scales or can create warm-up exercises that are individualized to the ensemble’s needs. The listening library feature provides easy access to quality recordings of a variety of genres. Using these recordings to demonstrate desired musical interpretations can assist ensemble members as they work to improve their performance. Another helpful feature within the listening library is the ability to isolate individual voices or instruments, which can help the teacher to focus on problem areas for the individual parts.
            The features that support individual or small-group practice sessions include the availability of methods books, immediate feedback during practice, tracking of practice time, assessment options, and other features such as tuners and metronomes. There are a large
 
number of popular instrumental method books available within SmartMusic. The books can be opened in the program, and individual songs viewed during practice time. The teacher can make notes for the individual student within the method book, in a manner similar to traditional method books. When the students are practicing at home, SmartMusic not only provides immediate feedback in the form of colored notes (green notes were the ones played correctly and red notes were not played correctly) but also by computing a percentage score based on the performance of the piece.  Student practice time is also tracked. The program notes the time actually spent playing, and not the time taken to set up the practice area or putting the instrument together. The teacher can observe practice patterns and habits and help their students to understand the importance of practice outside of the classroom. The program also can be used for assessment purposes, where the teacher creates an assignment and the student records their performance of the assignment. These assessments can be useful for grading purposes as well as for evidence when conferencing with parents or administrators about the effectiveness of the music program. Finally, features such as tuners and metronomes can assist students with details like pitch, intonation, and tempos when practicing at home.
            The benefits for a vocalist in SmartMusic are similar to the benefits for an instrumentalist. Within the classroom, the teacher can use the included warm-up exercises or create individual exercises to focus on elements of which the ensemble is working. A very important feature, especially to the ensemble director who may be piano-challenged, is the availability of rehearsal accompaniments for individual pieces. Using these accompaniments during rehearsals allows the director to be free from the piano and instead focus on the singers. Again, there are a variety of vocal pieces available from the SmartMusic library for this purpose. These accompaniments would also be beneficial to students practicing their music at home, where a pianist probably would not be available. Individual practice times and assessments would be much the same for the vocal students as it is for the instrumental students.
           Several features of SmartMusic seem to lend themselves easily to the general music classroom. The daily rhythm feature could be used with all grade levels in a variety of ways. Students could simply clap the rhythms or they could use classroom instruments to play them. The rhythms could be used in discussions of note values or time signatures. They could also be used to have the students experience other musical elements such as tempo or dynamics. The listening library could be used to provide students with quality musical examples. Within the listening examples, the teacher could isolate an individual voice to emphasize timbre or other musical elements. The composition tool feature could be used as a whole-class exercise with students taking turns manipulating the notes on the SmartBoard. The playback feature would give the class immediate feedback on their compositions and allow them to easily revise and improve their work.
            There are several features within SmartMusic that would be beneficial to a teacher as well. There is a gradebook feature where the teacher can set up classes, enter assignments, and have the student grades recorded right in the gradebook. The SmartMusic program also has a feature that allows teacher accounts to be combined, which would be helpful if the teacher had classes in several different buildings. The composition feature could be used to write or arrange music for specific needs or ensembles. Using the SmartMusic program with students for individual practice allows easy communication between school and home, where the parents are able to quickly see what their child should be working on, and how their student is performing on those assignments.
           The current pricing for SmartMusic seems to be fairly reasonable. There are many features and benefits for teachers and students who opt to purchase a subscription to the program. One notable piece of information involves the cost of a student method book versus the cost of the SmartMusic subscription. One method book that is available in SmartMusic (for the basic program at $4 per year) can cost nearly $10 when purchased online. For beginning instrumental students, the basic program would probably provide enough material to work with as they learn the basics of their instrument.



            When comparing the benefits of SmartMusic to the limitations, it seems that SmartMusic might be the “smart” way to go for music educators and students. The largest concern that I can see is the availability of internet for all students. Those students in rural, low-income areas may not be able to afford or have access to internet at home. This would prohibit them from practicing their instrument at home. If internet access is not an issue, SmartMusic seems like a low-cost, high-benefit program for music students. When looking at the teacher side of SmartMusic, one could argue that many of the benefits could be achieved for free in other ways. The rhythm of the day could be written on a chalkboard or whiteboard each day. The music recordings of various pieces could be found on YouTube or publisher websites. Students could compose music with paper and pencil, or using other free online tools like Noteflight, MuseScore, or Finale (which is a part of the SmartMusic family within the MakeMusic company). Teachers have been creating assignments and grading them for many years without the assistance of technology. All of these arguments are valid but having these features in one easily-accessible place just makes sense. After all, technology should support our teaching of music. As Dorfman (2013) states, “technology is an important means by which we can teach music – introduce its concepts, reinforce them, provide experience, provide practice, assess and evaluate achievement, structure aesthetic interactions, and do all the educational activities that make learning music a distinct, artful pursuit.”


References

Dorfman, J. (2013). Theory and practice of technology-based music instruction. New York:
Oxford University Press.

SmartMusic. (n.d.). Retrieved from https://www.smartmusic.com

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